Showing posts with label Sa'dia. Show all posts
Showing posts with label Sa'dia. Show all posts

Friday, October 11, 2013

Ruby Beh Weekend

Ruby getting a feel for her surroundings.

(This post is long overdue from August.)

I think I spent Ruby Beh workshop weekend with a tight lipped smile on. Take two new costumes, new fire prop, new venue, and opening your home to a person you have never met. Add the fact you will be pushing your brain and body to learn and process new concepts into your dance and you get an uncomfortable looking tight lipped smile.

I spent five days teetering on the edge of trying to be flexible and accomidating without letting the stress of all of the "newness" overtake me. I think it just resulted in super Cra-Cra Face instead of the actual enjoyment I was feeling. One of the first conversations I had with Ruby in the car on the way to the meet and great was I told her I sometimes have trouble articulating (using my big-girl words,) and that I tend to over explain things. Her answer was to just be who you are.

Disclaimer given. Acknowledgement received.

Ruby, Naia, and I spent Friday afternoon touring the Pythian Castle and Bass Pro followed by non-stop workshops from Friday evening through Saturday afternoon. I had all of my costuming stuff prepared well in advance since Ruby was staying in the Guest/sewing/dance room. I was able to get ready for 3 dance sets in minimal time before the workshop show began. I had my usually moment of butterflies while putting on my make-up and then my "I'm a professional" business hat went on and Ruby and I headed out the door for the show.

Ruby seducing the locals.

Nice cheekbones. Photo: S Bowers


Did I mention Saturday was also Greek Night? Not only was it Greek Night but the first Greek Night at Galloway Station's new venue and I had yet to even stepped foot into the building. Because of this I got to open the workshop show with a Shamadan procession provided by the lovely Malaika Dancers so I could leave early.

The end result of my Shamadan Respec was successful. No wax in the hair. No costumes on fire. I even rocked finger cymbals with some Zeffa rhythm. On one hand I think my Shamadan still needs more bling. On the other hand I am content that I can keep it on my head without burning down the Northview Senior Center. The paper would read, "So called 'Bellydancer' stupidly balances lit candelabra on head. Seniors outraged."

I wanted to see both of Ruby's sets so I ended up staying the entire show instead of leaving for Galloway when I should. As soon as Ruby's music ended in applause I headed straight out the door but I ended up getting stuck in road construction on my way to Galloway and was over 20 minutes late to our first set (I've never been late in all of these years.) When I finally made it, Sa'dia met me at the door to show me how to get to the office. We ran up 2 flights of stairs. I dropped my bag, dropped my cover-up, grabbed my zills, and immediately ran back down the stairs to the sound of our opening song.

The first set went by in a blur of adrenalin from being so late and having to learn my new dance environment literally on the spot. My dancing felt a bit frantic but I think I covered it well. I did have some family support from my mom, sister, sister-in-law, grandmother, and another family friend. Friendly faces in the crowd always help.

Sa'dia and I hung out in the office between sets standing in front of the electric fan. During this time people from the workshop where arriving to catch the late show. I had hit the giddy slap-happy point of the evening. I felt like a total spaz by the time Sa'dia and I went down for our second set.  New costume number 2 cooperated during the set although the skirt needs some serious attention. I don't have any pictures of it yet.

After a mostly successful second set, (forgot the same section of the same drum solo again,) I changed into street clothes and headed out to the patio to hang with my friends. That is the point I completely deflated. I was  s o   t i r e d  I could barely articulate. I did manage to procure a glass of bourbon that we lit on fire in lieu of a birthday candle and sang happy birthday for R.W. Lucky for me Ruby was tired too and we left before close time.

 Sa'dia rocking it in pink.

From the tip bag. Napkins, rose petals, and money. (Nowadays, many Greeks throw flowers, napkins, money, and the like instead of breaking plates.) I've been told that the shower of rose petals and napkins looks really awesome while we dance. It's usually always a surprise when the crowd cheers as a cloud of color floats from somewhere above you.

The napkins that didn't make it into the tip bag. You know, cause it's totally sexy and non-distracting to see while dancing.

OPA! Photo: C Mallahan

Cra-Cra Face
Photo: C Mallahan

Sunday was a quiet day for me. Naia took Ruby to the studio to teach 7 hours of privates. I spent the whole day in boxer shorts and playing XBOX with the Husband Person. I even caught up on some National Geographics, anything that was non-bellydance related. My mental health meter slowly began to refill. Cra-Cra Face dissipating.

On Monday I drove Ruby to the Branson airport. We probably had our best conversation during the ride because the stress of the weekend was over and Ruby was no longer a brand new acquaintance. I also think Ruby had taken off her business hat since the professional part of the weekend was over. I wish the whole weekend would have been as relaxed and jovial as that car ride. I saw Ruby on her way with a hug and wave.

By week's end it finally dawned on me that I was completely stressed out from the excitement of having Ruby, a dancer I very much admire, in my home and trying my best to be professional without completely geeking out all over the place. Instead of letting myself geek out I just felt uncomfortable and stressed. And it probably showed. Ruby did say to be who you are. I tried way too hard to wear my Professional Hat instead of my Me Hat. Lesson learned. It also dawned on me the following week as people were posting their Ruby pics to Facebook that I never got a picture taken with her. This is how my photo with Ruby would have looked.

Homies. 

~N

Thursday, September 12, 2013

Sa'dia's Wet Set Curls


Fellow dancer Sa'dia with Alchemy, A Salon, shows us how to do a wet set updo for curling your hair. She has used this technique for years and it works really well for those workshop weekends. Updo during the day. Full head of curls for the evening show. ~N

Wednesday, September 11, 2013

Sa'dia's Purple Alterations


Before alterations front

Before alterations back

The bra cups on this costume were super tiny and a bra extension just wasn't going to cut it. After much frowning, I was bolstered by this alteration by Ozma and I decided to mount the old bra directly on top of a new bra with new side straps. The belt also need some love but not so extensively. I took very few pictures of this alteration. I also forgot to take pictures of the finished product. But here is a quick overview of the process.
  • Cut off all bra fringe
  • Cut center connector of bra cups.
  • Cut off side straps.
  • Attached bra to new bra and made new side straps (in black.)
  • Salvaged sequins from old straps, shook them together with some (sort of ) matching purple sequins and filled in new straps, bra cups, and center connection.
  • Mimicked bra edge design and filled in with more (sort of ) matching beads and gold sequins.
  • Replaced bra fringe in new design.
  • Removed some fringe from back of belt and replaced with gold swags to mimic front of belt.
  • Trimmed everything with gold beads.





Monday, October 15, 2012

Sa'dia's Pink Alterations Oct. 2012

 Chunky pink and yellow beads added to fill in gaps.

I recently finished up another alteration project for Sa'dia. She purchased this budget costume online. These imported budget costumes look really pretty but they aren't manufactured in a way that a professional dancer needs. For instance, all of the bead work, fringe included, is done with simple sewing thread. I did not replace it but I am not willing to bet on how long it will last or how easily it will break. The bra straps were thin chiffon ties, like a hip wrap. The bra tied on like a string bikini. I cut them off and used the fabric to make actual straps with hook closures. I did the same for the belt. I also had to add a lining to the bra and the belt. Lastly, the bra cup sizing runs small so I removed the bra's upper edge decoration, extended it, and then filled the gap with additional beads that Sa'dia purchased. The skirt is just as beautiful as in the original photo below. It floats when you move instead of just swaying. However, the fabric is very fine and easily snags. I look forward to her trying it on now the alterations are complete.

~N

 The pink beads I added were so chunky that I covered the visible thread with silver rocaille beads.

 New side strap covered with original fabric and flower details being added.

I added a belt lining to cover the exposed metal.

I created an applique from tie scraps to match the belt design and create a hook closure.

I decided to add some more yellow fringe after I took this picture.

New bra lining.

The new belt closure with the chiffon ties still attached. Those thin ties were all that was originally holding the bra and belt together.

The color is washed out by the flash in this photo.


The original store photo. Notice, you cannot tell that the straps were chiffon ties.

Tuesday, April 03, 2012

Tutorial: Removable Halter Chain

Shoulder bulge and moles...Do you know how hard it is to take a picture of your back?

This idea is old news but when I saw Sa'dia use a broken necklace as a halter chain I thought it was the most brilliant idea ever.

The pros:
  • It gives busty gals extra lift and support.
  • It keeps loose shoulder straps from falling off without any major alteration
  • It's adjustable
  • It's removable
  • You can use the same chain on any costume as long as they have hooks
  • The cost is almost nil
  • Requires novice sewing skills (we're talking easier than sewing a button.)
  • Easily removable if you sell your costume
The cons:
  • NONE!

This composition is titled, "Hooks, Chain, and a Single Ground of of Coffee."

Supplies:
  • Needle and thread
  • A piece of chain, old necklace, etc. sturdy enough that the metal loops do not pull apart with too much pressure. I used a homely little bracelet that is never worn. I didn't alter the chain length or clasp in any way.
  • 2 sew on hooks 
  • Scissors
  • Charms (optional)


Step 1. Try on and take note, or mark, the location on the straps where you want the halter chain.

Step 2. Sew the hooks onto the inside of the bra straps where you want the chain, facing in toward your back, not out toward your arms.


Step 3. Slip chain onto hooks adjusting chain to desired length.


Optional: Add charms, coins, or other cute dangly bits for added interest.

Peaking out from under my hair, the Hamsa protects my backside from the evil eye.

Now you have a cute little flash of detail that is adjustable, removable, and best of all not a safety pin!

You also have the option of making the halter chain permanent by sewing one end of the chain directly to the bra and using only one hook on the opposite side. It would still be adjustable and be suited for those who only need to halter one bra. This idea is also cheap and easy enough you could put permanent halter chains on all of your costumes.

Have fun and good luck!
~N

Wednesday, January 25, 2012

Coin Wrap to Bedlah Sew Along Task 8: Making a Belt Base


Supplies:
  • Base Fabric
  • Interfacing, felt, denim, or equivalent
  • Paper, pencil, tape
  • Measuring tape
  • All-purpose sewing thread and needle (or sewing machine)
  • Scissors 
  • Pins

Hey, Hey! I am getting back into the swing of things Well, a little at least. I've actually had this part of the sew along done for a few weeks now but have not been able to put it all together. So far the belt is going much smoother and faster than the bra, working with a fairly flat surface and all. All the base construction can be done with a sewing machine. That speeds things up a lot.

My original plan was to make a V-shaped belt because (for me anyway) the shape seems to fit around curves easier, with less darting and altering than other shapes. But as you will see, it changed into a heart-shaped belt part way through the process.

The pattern I made based off of the Sage Applique belt only with a much deeper V and higher, narrower sides. I just realized the pattern says 4.5" instead of the 5" that is clearly marked on the graph paper.

I took my hip measurement, divided it in half (for front and back), added 2 inches of overlap, and then drew a V to the depth I wanted. I recommend not going  over 5-6" at the thickest part of the belt. I have noticed that plus sized dancers that have a wider hip measurement tend to also add inches to the height of the belt and throw the visual proportions off. Just because you may be fuller figured doesn't mean you are also taller, and vice versa.

I've been altering another of Sa'dia's costumes and really liked the front of this belt. I also liked that the front and back of the belt are completely separate and finished pieces. It is sewn together on one side with hooks on the other side. The front piece overlaps the back piece like a giant belt buckle. I have read that this type of belt is easier to take apart and re-size than a belt that is a continuous piece but never really understood how it was sewn together. After studying it's construction, I decided to toss my belt pattern and make a belt similar to this.

This side of the belt is sewn together and looks just like the other side with hooks. It isn't as bulky as I thought it would be. To alter it, you only need rip out the stitches, move, and restitch. This way there is no need to add or remove sequins, cut length off, add length, or redo the lining when resizing.

 The inside of the sewn edge.

I used the same hip measurement from the first pattern and traced Sa'dia's heart-shaped belt onto an old pair of khaki denim jeans for the front and back of my new belt. I added 2 inches to each side of the back piece for overlap. I intend on overlapping both sides (one stitched in place, the other with hooks) just like Sa'dia's belt. I then measured the base fabric with 1inch of overlap. I also wrote myself a note for posterity.

I had already covered the front of the belt with fabric when I realized it was only one layer of denim thick. Oops. I cut a 2nd layer and carefully stitched it on as close to the edge as possible, (it looks kinda pretty.) Then I covered 2 layers properly for the back of the belt making shallow cuts along the edge to allow the fabric to curve smoothly. No darts where needed. The belt base is now ready for decoration.

Next Task 9: Decorating!

Supplies:
  • Remaining crocheted coin fringe from hip wraps used on bra
  • Beading needle
  • Sequins
  • Rocaille beads
  • Seed beads
  • Acrylic sew-on jewels
  • Upholstery thread/Beading thread
  • Scissors 
  • Pins 
  • Fabric glue  
Want to see ALL of the pictures from my bra build? Join the Flickr Sew Along group and add your own at http://www.flickr.com/groups/bellydancesewalong/.

Good luck and have fun!
~N

Thursday, January 19, 2012

Another Alteration


 For Sa'dia this time. This lovely bra is too small in the cup department. She had previously tacked some blue fabric across the top of each cup to cover the goods. It was finally time to put a proper extension in.

 I ripped the fabric out Sa'dia had added, washed, and dried it. I had just cut up an old sweater to make a mat to go under the cats' food dish. The left over collar was just the right width to stuff the extensions.


 Perfect fit! It was meant to be.

 Behind the curtain. The original lining peeled back to reveal the bead work stitching.

 I wanted to use as much of the fabric Sa'dia used because I didn't have anything to match. I added jewelry wire to the collar before covering it.


 The newly stuffed extension stitched into place. 

I had a hard time trying to match sequins and beads I from my stash. I decided to steal them from the side strap where they wouldn't be missed.

The blue and holographic sequins are from the bra strap. The trim around each leaf and extension is from my stash, as well as the "tea cups" near the center of the bra to mirror the star "tea cups" on the bra cups.

The lining stitched back down covering the raw edge of the extension. (I love the little butterfly beads on the fringe.)

From the top.




And, you're welcome.
~N