Showing posts with label Artist's Way. Show all posts
Showing posts with label Artist's Way. Show all posts
Tuesday, January 11, 2011
We're All Just Paper Dolls
I've been reading Walking in This World in anticipation of a meet up with the Way Ladies this weekend. The first task was to make a list of creative things to do. I put cutting paper snowflakes on my list. After multiple failures of them not looking like they did in my childhood I conceded and Googled how to cut them. Instead of snowflakes I rediscovered how to cut paper doll chains. I made a bellydance paper doll chain of course.
Cute aren't they? I just imagine them as a little dance troupe. Moving together. Getting along. All happy wearing the same color and costume. It's almost as though they are skipping through a field of flowers in Bellydance bliss smiling at one another...
Find instructions here.
~N
Monday, October 19, 2009
The Artist's Way
Our AW cluster. L, N, M, M & H in front of Hillbilly Junction
I'm only a few months behind on my Artist's Way posts. Actually, my group has finished The Artist's Way and are into the next book, Walking in This World. I realized over time that I wasn't interested in giving a week by week, blow by blow, review. Because, for those of you who have read it know the week's tasks can make you giddy, busy, depressed, spastic, etc. I will instead write an overview of what the book is and how it works for those of you who have been wondering what the book is all about. Because, usually, when you ask readers about it they get that big-eye-little-eye crazy look on their face and prattle on about how awesome it is o.O
AW is usually noted as being for artists and recovering your creativity, whether you are a writer, painter, dancer, photographer, etc. Well, this is true to a point but a little vague and misleading. The book is for everyone, not just “artists” or people who have lost their creative spark. Instead of teaching a person how to be creative, (to physically choreograph, paint, have awesome ideas, etc.), it teaches you ways to be more “yourself”. That may seem a bit abstract but if you think of the AW book as a text book, and you are taking a class about Yourself, and learning ways to more openly be “yourself”, AW will better help you express “yourself” in your daily actions. This then can lead to a happier more complete person/artist/whatever. You may learn that you have always been an artist/creative person when you thought you were not. Think of AW as a “life class” all about you.
AW has tasks that you should complete at the end of each chapter. Some easy. Some hard. Hard in the sense they make you think about things you may not want to, or hard in the sense that you have to tell your spouse to watch the kids so you can have 30 minutes of private time to write, paint, etc. Some tasks may make you feel silly like writing personal affirmations or making collages out of magazine clippings. The tasks, particularly the “Morning Pages,” are what drive the book's effectiveness. Remember, this is a class about Yourself. You should do the tasks to the best of your ability, even if they seem silly. (Think of the Karate Kid's, “wax on, wax off.” There is a reason for all of the tasks in the book.)
AW is full of spiritual references, and the terms “God” and “Great Creator” are used frequently throughout the book. The book does state that you are to read it within the context of your own religious or non-religious overtones and to keep in mind that the “Great Creator” is a title to the spiritual and creative part of the universe and to apply it to your reading as you see fit. So, don't assume the god references are specifically Christian, Muslim, Jewish, etc. And for those of you who are non-religious, don't let a “God” reference scare you off. The spiritual references are meant to be open-ended for each reader. You can't have a class about Yourself and not discuss the aspects about life and the universe that are spiritual and unexplainable.
Ok, that is the gist of the book. As readers begin to assess and rediscover things about themselves, they begin look at their surrounds anew. This is what leads to the creative explosion that seems to take place during and after reading AW. If you are interested in the book at all, I recommend picking one up (they are super cheap on eBay) and just giving it a go.
If you are able, I also recommend a cluster to help keep you on task and for encouragement. In my cluster (group o'gals who meet after each chapter to discuss,) we like to joke that our get-togethers are “group” or “group therapy” because we spend most of our meeting airing grievances, sharing new ideas, supporting each other's breakthroughs, discussing complex personal life issues, and so on. Doing the AW tasks help you to define different aspects of yourself and your life you may not know you have or haven't explored in many years. Being in a cluster, you can discuss and brainstorm with your friends. This allows you to get a different point of view on the issues you have defined during your tasks. However, learning about your friends can be unpleasant. It can make you frustrated to hear about their problems and hurtles. You may find yourself mad at their friends or spouses because you want to “help” and “fix” their issues. But clusters are meant to be non-judgmental. Ideally, they are safe places to talk about the things you are discovering in your “life class”. You don't have to meet in a cluster but if you have friends you are comfortable with and who are interested in reading AW with you, I recommend it.
I also recommend not reading ahead but finish each chapter and the tasks before moving on. And if there is a chapter that is just too much to handle one week, you can always come back to it later. You can also repeat any chapter that you completed before but felt unsatisfied with some of the personal issues that it brought to light. The point is, to come back to it and try again.
For me, AW has helped me pull myself out of kind of a self imposed mental lethargy. Not just in my creative life, but my life in general. Despite the ideas and emotions I felt I would just mentally mope about instead of acting on them. I would make lists that I would never complete. I would sleep in too late and then kick myself for wasting my day, my life, etc. I would ignore chores, or people, or whatever seemed to remind me of the things that I was sitting around waiting on to change. I, like many people, have spent a lot of time just sitting around waiting to become “happy”.
No, AW didn't give me the holy grail of happiness by any means, but it has helped refocus my thoughts and better define what I want and what I want to accomplish. I was able to, on my own, look at myself and say, “WTF?!” and then tackle those issues that only I can resolve. Instead of inaction, I take action. Instead of, “why?”, it's “why not?” That sounds kind of silly, like I'm spouting from those cheesy Inspirational Posters, or I joined a cult and had a “coming to Jesus” moment. My new bursts of creative energy have definitely resulted in a raised eyebrow or two from the Husband Person. This is also the reason for my lack of blog posts. I've been super into all of my side projects and not into blogging.
Well, I'm not really satisfied with my summary here but I feel that I'm beginning to just prattle on and on. Which is a good sign for me to stop. If you've done AW and want to leave feedback that would be awesome.
~N
Now playing: Escape from New York
mood: caffeine and protein!
*edited to add*
AW did help give me the little push I needed to get started on the mystery Performance Art piece I am working on with some fellow dancers. Without me reading the book and thinking, "why not?" I would still be just daydreaming about the project instead of actually moving forward and making it happen. From a BD's perspective it helped me define and act upon my dance in a more creative and challenging way.
Monday, July 20, 2009
Choreography Extravaganza (aka Over full turkey plate)
I know I said I would post about costuming. I do have new costuming stuff in the works but I don't really have much to show for it. I have taken my scissors to a perfectly good dress and cut it in half but I ran out of thread and I am left with a pile of butchered fabric and loose bra cups at the moment. And, butchered fabric photographs like, well, butchered fabric.
I also said I would post the next week's review for the Artist's Way. We had an extended time for chapter 4 which lasted 2 weeks but I was posting a week behind the current week so it would be a review not a week in progress, and now I'm getting chapter 6, which puts me at week 5 to review, but I don't think I've posted week 3 or 4. Wait...what?
In the meantime, I've filled my BD choreography plate a like it's Thanksgiving and I didn't leave any room for the pumpkin pie. Zivah kindly reminded me that Hips Noir is coming in October and asked if I'd be dancing in the show. My answer,
“Yes!”
which really means:
“FF**********CCCCCCCCCCCKKKKKKKKKK! That's in 3 months! I haven't thought about that since May!"
Luckily, I already have music picked out and staging ideas. However, I've called in the troops (my Mom) for help with costuming because this year's costuming is even more critical than last year's...

if you can imagine
Every time I try to practice with the idea of “Tribal Fusion” in my head, I just stand in front of the mirror and frown a lot. If I think “Performance Art” things seem to go a lot smoother.
Speaking of Performance Art, I have officially begun work on a choreography piece that I've wanted to do for quite some time now. It is not a BD piece, but you go with what you know, right? It is approximately 15mins worth of music that requires 4 plus dancers. Very ambitious for me. I have a 6 month deadline and dancers already lined up for a weekly practice.
To top it off, I literally have 4 weeks before the Bazaar and Workshop on August 15th. I should be working on this since it is the closest performance on the calendar. Instead, I am focused on the one 6 months away, followed by Hips Noir (go figure). I have picked out my music, good o' fashioned oriental music, and I'm not so much choreographing it but listening to it for those key points of awesome so I can dance something cute and intended, making the rest of the song more of a nice walk through of it's cuteness.
For those of you who like math, that's around 25mins of choreography I piled on my Thanksgiving turkey plate. BD'ers out there already know what a pain a song over 4mins can be to work out (especially in time for performance). Can we say, “Overly ambitious?”
~N
Now practicing: Articulated head slides. For real. Like a confused chicken.
Mood: ketchup on everything
Today's fortune cookie: “Keep it simple, stupid.”
I also said I would post the next week's review for the Artist's Way. We had an extended time for chapter 4 which lasted 2 weeks but I was posting a week behind the current week so it would be a review not a week in progress, and now I'm getting chapter 6, which puts me at week 5 to review, but I don't think I've posted week 3 or 4. Wait...what?
In the meantime, I've filled my BD choreography plate a like it's Thanksgiving and I didn't leave any room for the pumpkin pie. Zivah kindly reminded me that Hips Noir is coming in October and asked if I'd be dancing in the show. My answer,
“Yes!”
which really means:
“FF**********CCCCCCCCCCCKKKKKKKKKK! That's in 3 months! I haven't thought about that since May!"
Luckily, I already have music picked out and staging ideas. However, I've called in the troops (my Mom) for help with costuming because this year's costuming is even more critical than last year's...
if you can imagine
Every time I try to practice with the idea of “Tribal Fusion” in my head, I just stand in front of the mirror and frown a lot. If I think “Performance Art” things seem to go a lot smoother.
Speaking of Performance Art, I have officially begun work on a choreography piece that I've wanted to do for quite some time now. It is not a BD piece, but you go with what you know, right? It is approximately 15mins worth of music that requires 4 plus dancers. Very ambitious for me. I have a 6 month deadline and dancers already lined up for a weekly practice.
To top it off, I literally have 4 weeks before the Bazaar and Workshop on August 15th. I should be working on this since it is the closest performance on the calendar. Instead, I am focused on the one 6 months away, followed by Hips Noir (go figure). I have picked out my music, good o' fashioned oriental music, and I'm not so much choreographing it but listening to it for those key points of awesome so I can dance something cute and intended, making the rest of the song more of a nice walk through of it's cuteness.
For those of you who like math, that's around 25mins of choreography I piled on my Thanksgiving turkey plate. BD'ers out there already know what a pain a song over 4mins can be to work out (especially in time for performance). Can we say, “Overly ambitious?”
~N
Now practicing: Articulated head slides. For real. Like a confused chicken.
Mood: ketchup on everything
Today's fortune cookie: “Keep it simple, stupid.”
Tuesday, June 23, 2009
Artist's Way week two review
Fun with stick man on my desk
Week 2 has been a very sentimental week. I've been cleaning, rediscovering old things around the house, memories attached. I visited family I haven't seen in years, relived old times. Saw an old friend from high school. I spent 2 nights away from the Husband Person, which I haven't done in...8 months I think. Dug through boxes from junior high and high school full of letters, drawings, and pictures. I've been slowly reliving those times in my head. The good and bad. So, I've been in a hamster wheel of feeling sentimental and melancholy, sentimental and melancholy, over and over, racing to see where I end up.
Now technically week 3, life has also become a daily fortune cookie. Monday night during the cluster, I was pulling on the plastic tab of the spine of my binder compulsively. I pulled it loose, flipped it over, and on the back in my handwriting was written,
"When choosing between two evils, choose the one you haven't tried yet."I was like, "Wow, thanks for the random fortune cookie."
I didn't get around to reading chapter 3 until Tuesday night while soaking in the tub. The margins of the Artist's Way book are full of quotes that coincide with the chapter. On page 76 the margin says,
"Whenever I have to choose between two evils, I always like to try the one I haven't tried before." - Mae WestStuff like this has been happening all week. Chapter 3 calls it "synchronicity." Well, I'm rolling in it. I just hope my next surprise isn't a half naked man jumping out of a cake. Not because that would make me blush but the whole jumping out of hidey-holes freaks me out a little.
~N
now listening: iamx
mood: bing cherries and dino-nuggets
Tuesday, June 16, 2009
Artist's Way week one review

Naima standing Here. pic by Jman
Hyper
Starry-eyed
All ideas intensified
All projects moved forward
Discovering new music and old happiness-es
Not noticing I haven't eaten in hours
and DA....MN, I'm fabulous!
I haven't finished reading chapter 2 but I predict over-coming hurdles, fighting monsters, planting flowers on a dead past.
For
the
Win
~N
Now listening:
"Oh, the pheonix saysMood: chicken salad and sweet tea
Burn for me
The Devil says
Lie for me
The serpent says
Beg for me
The siren says
Die for me"
~ IAMX - Song of Imaginary Beings (omg! thx to Jolie. Just what I needed!)
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